poetry

Book Club | February 2024: Bucolic poetry and Adonis

Wail, wail, Ah for Adonis! He is lost to us, lovely Adonis! Lost is lovely Adonis! The Loves respond with lamenting. —from Bion’s Lament for Adonis, translated by John Addington Symonds February’s Book Club selections are from laments and so-called bucolic poetry, with a focus on Adonis. These poems refer to myths and rituals, and include laments for the beautiful dead Adonis; a lamentation by Heracles’ wife Megara to her mother-in-law Alcmena;… Read more

Pindar Pythian 2

Introduction, Translation, and Notes by Jack Vaughan Introduction Pindar’s second Pythian Ode, as the poem has come down to us arranged in a book of “Pythians” is the second of three odes addressed to Hieron, who was the ruler of Syracuse after the death of his brother Gelon in 478 BCE and until his own death in 466. The poem is in four strophes (marked, as in Greek editions, Α’,… Read more

Book Club | March 2020: Poems of Tyrtaeus and Theognis

For the March Book Club we will be reading poems by Tyrtaeus and Theognis. Tyrtaeus was composing around the middle of the seventh century BCE, in Sparta. The surviving poems and fragments are mainly elegies and war poems, and make reference to heroism and to hoplite warfare.[1] Theognis was an elegiac poet composing in the sixth century BCE in Megara, although many poems attributed to him are later additions. The… Read more

Book Club | February 2020: Ovid’s The Art of Love

Should anyone here not know the art of love, read this, and learn by reading how to love. By art the boat’s set gliding, with oar and sail, by art the chariot’s swift: love’s ruled by art. Inspired by Valentine’s Day, our selection this month is The Art of Love, or Ars Amatoria, by the Roman poet Ovid (Publius Ovidius Naso). As always, you can read any translation you like.… Read more

Book Club | January 2020: Aristotle Poetics

Let us here deal with Poetry, its essence and its several species, with the characteristic function of each species and the way in which plots must be constructed if the poem is to be a success; and also with the number and character of the constituent parts of a poem, and similarly with all other matters proper to this same inquiry; and let us, as nature directs, begin first with… Read more