The man who at Delos set forth in the precinct of the god his own opinion composed an inscription for the forecourt of the temple of Leto in which he distinguished goodness, beauty and pleasantness as not all being properties of the same thing. His verses are: Justice is fairest, and Health is best, But to win one’s desire is the pleasantest. Theog. 255f. But for our part let us… Read more
We have been enjoying Gregory Nagy’s series of posts on Hēraklēs at Classical Inquiries[1]. The Hēraklēs myths have inspired many artworks from classical times onward: he is probably the most represented of all the ancient Greek heroes. So we have prepared two galleries with a selection. This first includes depictions of the Labors of Hēraklēs. In The Ancient Greek Hero in 24 Hours Gregory Nagy provides the background to the… Read more
There are different terms for different parts of a Greek drama, some of which modern scholars took from Aristotle and other ancient drama critics. The typical structure of an Ancient Greek tragedy is a series of alternating dialogue and choral lyric sections. (There are exceptions, and technical divisions naturally do not explain intellectual and emotional “soft power” aspects of a great Greek tragedy.) The dialogue sections are in typically speechverse,… Read more
We were pleased to welcome Professor Armand D’Angour, of Jesus College, Oxford, who joined members of the Kosmos Society for an Open House discussion on “How to Talk about Love: Plato’s Symposium.” The earliest and most brilliant philosophical treatment of Love is Plato’s dialogue Symposium. In it, a group of seven men, including the comic playwright Aristophanes and the philosopher Socrates, offer speeches describing what they think love is. The… Read more
In the period of about 600–480 BCE, Ionian colonists emigrated from Attica to the Aegean coast of Asia Minor, which is modern Turkey[1]. There they inhabited a narrow coastal strip from Phocaea in the north to Miletus in the south, including the islands of Chios and Samos. Persia (c 540 BCE) conquered the cities of this area and appointed native tyrants to rule for them. The rebellion of the colonists against the rule of these… Read more
We are pleased to share this segment in our series on reading Homeric epic in ancient Greek. In each installment we read, translate, and discuss a small passage in the original Greek in the most accessible way. If you’ve ever wanted to read Homer in ancient Greek, here is your chance to do so with teachers who have spent a lifetime studying these works. Together they help even new readers… Read more
Every art and every investigation, and likewise every practical pursuit or undertaking, seems to aim at some good: hence it has been well said that the Good is That at which all things aim. (It is true that a certain variety is to be observed among the ends at which the arts and sciences aim: in some cases the activity of practising the art is itself the end, whereas in… Read more
After we finish reading the last scroll of the Iliad, we might wonder what happens in Troy after Hector’s funeral. We have parts of what happens next in the Odyssey, in tragedies, and in fragments and plot-summaries. However, in his Description of Greece Pausanias writes an interesting description of a painting which depicted “Troy taken and the Greeks sailing away” (Pausanias 10.25.2)[1], and which was still at Delphi when he… Read more
Night bore also hateful Destiny, and black Fate, and Death; she bore Sleep [Hupnos] likewise, she bore the tribe [phūlon] of Dreams [Oneiroi]; these did the goddess, gloomy Night bear after union with none. Theogony 211–212, adapted from Sourcebook[1] In the Homeric epics, dreams sometimes play an important part in the narrative. In this post we look at some examples, and how people react in response. Dreams are from Zeus… Read more
Louise Marie-Jeanne Hersent: Daphnis et Chloe 19th century For the young and innocent Daphnis and Chloe, the first stirrings of love and desire are uncomfortable experiences: Hearing the name of Eros for the first time soothed the pain in their souls [psūkhē]. At night, they returned to the folds and began comparing their own experiences with what they had heard from Philetas. “Those in love [erân] are in pain [algeîn].… Read more
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