Following the exploration of Aphrodite and Artemis in the shorter Homeric Hymns, it’s Athena’s turn. There are two hymns: 11 and 28. I start with the shorter one: Homeric Hymn (11) to Athena [1] Of Pallas Athene, city-protector [erusi-ptolis], I begin to sing. Terrible [deinos] is she, and with Ares she loves deeds of war [polemēios], the sacking [perthesthai] of cities [polis] and the shouting [aütē] and wars [ptolemos]. It… Read more
Having come across across references to trees and to wooden construction in the Iliad and Odyssey, my curiosity was piqued, and I decided to gather a few examples where wood and trees were mentioned, to try and better understand what these meant in Homeric and Hesiodic poetry. Are there any special associations with trees or using wood? What kinds of trees are mentioned? There are a number of similes with… Read more
Semele and Selene, one was born a mortal and the other a goddess. Both have enchanting and melodious names in ancient Greek with the same type of resonance. No wonder we sometimes confuse one for the other. However their stories are very dissimilar and poles apart. Selene – also known as Menē in Pindar1 and in the Hymn to Selene2 – is a goddess and spends her days driving her… Read more
How, then, shall I sing of you who in all ways are a worthy theme of song? For everywhere, O Phoebus, the whole range of song is fallen to you, both over the mainland that rears heifers and over the isles. All mountain-peaks and high headlands of lofty hills and rivers flowing out to the deep and beaches sloping seawards and havens of the sea are your delight. Homeric Hymn… Read more
As a complement to the post on the two shorter Homeric Hymns to Aphrodite, this time I wanted to look at the two short Homeric Hymns to Artemis, #9 and #27. Unlike those for Aphrodite, there is not a longer Hymn to Artemis. As before, I want to think about what kind of narrative or myth might have accompanied either of these Hymns, if we take them as prooemia, and… Read more