Homer

The Idealized Ship | Part 1: Curved, crowned, and garlanded

Both the Iliad and the Odyssey play a key role in our understanding of the ancient Greek ship, in her physical and her metonymic appearance. In this section we will consider the epithet korōnis [κορωνίς] that describes the form of the ancient Greek ship. The word in Greek that we translate as ‘form’ is ideā [ἰδέα]. There is also the word eidos [εἶδος]. In Plato there is no real difference… Read more

Homeric Greek | Odyssey 1.194–202: Wild men holding Odysseus back

We are pleased to share this segment in the series on reading Homeric epic in ancient Greek. In each installment we read, translate, and discuss a small passage in the original Greek in the most accessible way. If you’ve ever dreamed of reading Homer in the original, here is your chance to do so with teachers who have spent a lifetime thinking about this poetry. With their guidance even new… Read more

Reading Homer aloud: pronunciation, rhythm, enjambments

In this video, Keith Stone asks Gregory Nagy, Leonard Muellner, and Douglas Frame about reading Homeric poetry aloud. Topics include: pronunciation and its changes through time; pausing at enjambments; mastering the rhythm by memorizing passages; fixed metrical patterns; rhythm built into the language; predictability of ends of hexameter lines. Examples taken from:[1] Odyssey 1.187–193 (enjambments): ξεῖνοι δʼ ἀλλήλων πατρώιοι εὐχόμεθʼ εἶναι ἐξ ἀρχῆς, εἴ πέρ τε γέροντʼ εἴρηαι ἐπελθὼν Λαέρτην… Read more

Homeric Greek | Odyssey 1.187–193: Rattling around in enjambments

We are pleased to share this segment in the series on reading Homeric epic in ancient Greek. In each installment we read, translate, and discuss a small passage in the original Greek in the most accessible way. If you’ve ever dreamed of reading Homer in the original, here is your chance to do so with teachers who have spent a lifetime thinking about this poetry. With their guidance even new… Read more

Performance of epic | Part 1: Aoidoi in epic poetry

In a dialogue of Plato, Ion, the character Ion is a famous rhapsode. He is just coming back from a famous festival in Epidaurus where he performed Homeric poetry. [1] Plato’s dialogue dates from the late 5th century BCE [2], but it is not easy to find specific information about rhapsodes from the archaic period. The word rhapsōdos [ῥαψῳδός] itself is not used in Homeric or Hesiodic poetry. The word used… Read more