Archive

Book Club | January 2019: Plautus Rudens

To make a light-hearted start to the new year, this month’s Book Club selection is a Roman comedy by Plautus, Rudens, “the Rope”. As usual, the conversation will start and continue in the Forum, with Google Hangouts on Tuesday, January 29, 2019, at 5 a.m. and 11 a.m. EST. You can read any translation you like. Here are a couple that are available free online: Translation by Cleveland K. Chase… Read more

Reading Homer aloud: pronunciation, rhythm, enjambments

In this video, Keith Stone asks Gregory Nagy, Leonard Muellner, and Douglas Frame about reading Homeric poetry aloud. Topics include: pronunciation and its changes through time; pausing at enjambments; mastering the rhythm by memorizing passages; fixed metrical patterns; rhythm built into the language; predictability of ends of hexameter lines. Examples taken from:[1] Odyssey 1.187–193 (enjambments): ξεῖνοι δʼ ἀλλήλων πατρώιοι εὐχόμεθʼ εἶναι ἐξ ἀρχῆς, εἴ πέρ τε γέροντʼ εἴρηαι ἐπελθὼν Λαέρτην… Read more

Annual Round-up | 2018

Welcome to this round-up of highlights from the content, community, and conversation at Kosmos Society over the past year. This year’s posts, designed to lead to further discussion in the forums, included some written by individual members, and others written collectively by groups. They included posts on subjects as diverse as ships, warfare, law, hair, rhapsodes, servitude, Aegina, Aiakos…. Here is a selection: Aegina and its enmity with Athens The… Read more

Homeric Greek | Odyssey 1.187–193: Rattling around in enjambments

We are pleased to share this segment in the series on reading Homeric epic in ancient Greek. In each installment we read, translate, and discuss a small passage in the original Greek in the most accessible way. If you’ve ever dreamed of reading Homer in the original, here is your chance to do so with teachers who have spent a lifetime thinking about this poetry. With their guidance even new… Read more

Core Vocab: sōphrōn, sōphrosunē

This time the Core Vocab word—taken from terms in H24H[1] and the associated Sourcebook[2] —is sōphrōn [σώφρων] ‘moderate, balanced, with equilibrium’; sōphrosunē [σωφροσύνη] ‘being sōphrōn’. In H24H, Gregory Nagy introduces the word as a metaphor describing the pilot of a ship in the Homeric Hymn (7) to Dionysus. Literally, this word is a compound adjective consisting of the elements sō- and -phrōn, meaning ‘the one whose thinking [phrēn] is safe’,… Read more