The themes depicted in the myth of the fall of Troy inspired ancient Greek tragedies, such as the Trojan Women of Euripides, and other works by writers and dramatists of ancient Rome and of later periods. The subject has also inspired many artists from ancient times to the current day. The universal and powerful themes of the suffering of the most vulnerable—women, children, and the elderly—still have relevance and resonance.… Read more
A “heroized” edition of the Trojan Women We are pleased to share in the Text Library a revised translation of the Trojan Women of Euripides that tracks Core Vocab words in the same way as the Sourcebook of Primary Texts in Translation used in HeroesX.[1] This was the result of a community-driven collaborative “heroization” project. The group revised a translation to indicate each and every occurrence of a Heroes core vocabulary term… Read more
The maidens I brought up to see chosen for some marriage high, for strangers have I reared them, and seen them snatched away. Nevermore can I hope to be seen by them, nor shall my eyes behold them ever in the days to come. And last, to crown my misery, I shall be brought to Hellas, a slave in my old age. Our Book Club selection this month is a… Read more
We were excited to welcome Rachele Pierini, University of Bologna for an Open House. The topic of the discussion is “Re-inventing Old Craftsmanship: Mycenaean Furniture and Today’s Design.” The event was live-streamed on Thursday, November 7 at 11:00 a.m. EST, and was recorded. You might like to read this PDF handout: “Reinventing Old Craftsmanship – Mycenaean Furniture and Today’s Design” You can watch the event on our YouTube channel, or… Read more
We are excited to welcome Andrew Koh, of the MIT Center for Materials Research and the Harvard Semitic Museum, for an Open House discussion entitled ‘A Land Called Crete: From Harriet Boyd Hawes to the Cretan Collections Project’. The event was streamed live on Thursday, October 24 at 11 a.m. EDT, and was recorded. To prepare for the event you could (1) read Odyssey 19.172–184, the context for which is… Read more