ships

The Essential Ship | Part 2: The Kerameikos Vase

The Kerameikos kratēr The Athenian Kerameikos was the potters’ quarter of the city, from which the English word “ceramic” is derived. Kerameikos was named after Keramos, son of Dionysos and Ariadne, hero of potters[1]. A particularly notable pedestalled kratēr of this area is kept at the Metropolitan Museum of New York, where it is soberly referred to as the New York MMA 34.11.2 vase[2]. The vase is dated to the… Read more

The Essential Ship | Part 1: The Dipylon Vase

Following the heroic age of the Myceneans is the silence of the Greek Dark Ages. In the proto-Geometric period (c1150–c950 BCE), the pre-Greek tribes make war, then consolidate and start forming city states. The Doric tribes mix with the Attics of Athens, and art focuses on motifs that express “order”: concentration and intensity. There is no expression that refers to myth or religion. The Minoan and Mycenaean palaces and civilization… Read more

The Theoretical Ship

By the second part of the Bronze Age the Mediterranean was a vibrant place, full of maritime activity, enabling exchange in knowledge and materials. The Greek art of building ships and knowing how to operate them was at the basis of western civilization. The natural drive to look beyond the horizon resulted in cultural growth, wealth, trade and migration.[1] The ancient Greeks explored new coastlines and envisaged to enter into… Read more

Gallery: Chariots and Transportation

Terracotta funerary plaque (520–510BCE) This gallery displays different means of transportation used by the Ancient Greeks: chariots, horses, ships. Some pictures also show other ways of traveling in myths: dolphins and rams. The photographs were taken in the Metropolitan Museum of Art in New York. In this passage from the Odyssey, Homer compares ships to horses drawing a chariot.  When they [= the Phaeacian seafarers] began rowing out to sea,… Read more

The theōriā and the Ship of Theseus

~ A guest post by Rien ~ During our study at HeroesX, I was thrilled by the Hour 23 discussion about the sacred journey [theōriā], the never ending objective of Socrates to enter into dialogue with anyone he encounters. The first text is from the beginning of Plato’s Phaedo, as taken from the Hour 23 of The Ancient Greek Hero in 24 Hours: Phaedo It was a matter of chance… Read more