Homeric epic

Homeric Greek | Odyssey 1.80–92: Epithets of gods, of cattle, of Achaeans, and of Odysseus

We are pleased to share this segment in the series on reading Homeric epic in ancient Greek. In each installment we read, translate, and discuss a small passage in the original Greek in the most accessible way. If you’ve ever wanted to read Homer in ancient Greek, here is your chance to do so with teachers who have spent a lifetime studying these works. Together they help even new readers… Read more

Homeric Greek | Odyssey 1.27–43

We are pleased to share the latest video in the series on reading Homeric epic. Join Leonard Muellner, Gregory Nagy, and Douglas Frame as they read, translate, and discuss a brief passage in an informal and accessible way. If you’ve ever wanted to read Homer in the original, here is your chance to do so with teachers who have spent a lifetime thinking about this poetry. With this expert guidance… Read more

Composition-in-Performance and Micronarrative

~ A guest post by Sarah Scott ~ As some of you know, Jack Vaughan and I have been reading the Old English poem Beowulf together, using the same slow reading techniques and discussions that we have been used to in HeroesX and Hour 25 [= Kosmos Society]. Recently we were looking at a passage in which a poet tells a story, and of course it brought to mind the… Read more

Open House | mūthos, Mythology, and the Language of Heroes, with Richard P. Martin

We were pleased to welcome Professor Richard P. Martin (Stanford University) for an Open House Discussion with members of the community about mūthos, mythology, and the language of heroes. You can view the recording in the frame below, or on our YouTube channel. For more information about Professor Martin and his research, visit his faculty profile on the Stanford Classics Department website. Here is a PDF copy of the four… Read more

Open House | Epic Cycle, Oral Poetics, and Composition in Performance, with Gregory Nagy and Guests

We were pleased to welcome Gregory Nagy and guests, for an Open House session during which we discussed the epic cycle, oral poetics, and composition in performance, including: what the wheel of a chariot means how ring composition works how a performer relates to the audience what happens with predictions within the narrative the difference between improvisation and deep structure/surface structure multiformity vs interpolation You can watch the recording on… Read more