In part 1 of this series on trees and wood, I found examples of their being used for practical purposes in Homer and Hesiod, and a more detailed analysis by Theophrastus and others in part 2. I also found that Homer and Hesiod also include references to myths, rituals, and sacred spaces associated with trees and wood, including nymphs, so for part 3, this current post, I looked for further… Read more
How, then, shall I sing of you who in all ways are a worthy theme of song? For everywhere, O Phoebus, the whole range of song is fallen to you, both over the mainland that rears heifers and over the isles. All mountain-peaks and high headlands of lofty hills and rivers flowing out to the deep and beaches sloping seawards and havens of the sea are your delight. Homeric Hymn… Read more
As a complement to the post on the two shorter Homeric Hymns to Aphrodite, this time I wanted to look at the two short Homeric Hymns to Artemis, #9 and #27. Unlike those for Aphrodite, there is not a longer Hymn to Artemis. As before, I want to think about what kind of narrative or myth might have accompanied either of these Hymns, if we take them as prooemia, and… Read more
I read with great interest and enjoyment the recent posts by Jacqui Donlon “Divine Doppelgänger: Hermes and Odysseus” and by Bill Moulton: “The Divine Doublet: Odysseus and Hermes“, and became intrigued to learn more about Hermes as deceiver, as portrayed in the Homeric Hymns. Although the longer hymn is number 4, there is another, much shorter, hymn dedicated to Hermes, number 18. So I’ll start with that one: …He [=… Read more
Apollo, Golden Bronze, (200CE) Louvre A guest post by Kevin McGrath Greetings everyone and welcome to Hour 25. What I would like to do today is to view briefly the first sixty-seven lines of Scroll 1 of the Homeric Iliad and then, prompted by you, to reread some of those lines and images more closely. As you well know the first word of the poem, mēnis, indicates ‘anger’, as both… Read more