Gallery | Odyssey 22: The Slaying of the Suitors

One of the study groups has been working on Odyssey 22, and in December 2020 Kosmos Society performed this rhapsody as one of the groups taking part in the Reading Greek Tragedy Online: Odyssey ’Round the World event.

You can watch the video here: https://www.youtube.com/watch?v=Bjdf99pofjo

This Gallery features some visual depictions of this episode, also known as the Mnēstērophoníā, or Slaying of the Suitors.

Odysseus has been absent for twenty years, and meanwhile Penelope has been beset by arrogant suitors who have been abusing the hospitality of the household and behaving in a disgraceful manner, even plotting to kill Telemachus. On his return, Odysseus, disguised as a beggar, has had opportunity to witness them in person. Penelope has set up an archery contest for her hand in marriage; the suitors have not been able to string the bow much less shoot an arrow from it, but Odysseus has succeeded, and has shot an arrow through twelve axes.

Now in Odyssey 22 he casts aside his outer rags, takes his stand on the threshold, and wreaks his revenge by killing all the suitors, aided and abetted by his son Telemachus and two loyal herdsmen, Eumaios and Philoitios—and with some divine help from Athena.

The visual representations choose to incorporate some of the details found in our Odyssey, for example Odysseus initially using his bow to kill the suitors but later using a spear, tables being overturned and food on the floor, the suitors using tables as improvised shields, Telemachus assisting Odysseus, or Athena providing assistance.

Skyphos: Odysseus shooting with bow
Attic red-figure skyphos, Odysseus slays the suitors of his wife Penelope, c 440BCE
Scanned image of skyphos Odysseus shooting suitors
Detail from Scanned B&W Image of the same skyphos, showing the whole scene
Krater: Slaughter of the suitors
Ixion Painter: Mnēstērophoníā: slaughter of the suitors, red-figure bell-krater, c. 330 BCE
Engraving: Odysseus and Telemachus killing suitors
Engraving, after: Francesco Primaticcio. 1530–1560. Ulysses and Telemachus attacking and slaying the suitors. © The Trustees of the British Museum
Illustration: Odysseus killing suitors
Tako Hajo Jelgersma: Ulysses killing the rest of the suitors. 1717-1795. © The Trustees of the British Museum
Engraving: Odysseus slaying the suitors
After: Heinrich Dähling. 1801. Odysseus slaying the suitors. © The Trustees of the British Museum
Print: Ulysses slaying the suitors of Penelope
After William Hamilton. 1803. Ulysses slaying the suitors of Penelope. © The Trustees of the British Museum
Drawing: Odysseus killing suitors
John Flaxman: Ulysses Killing the Suitors 1805 © Tate

Print: Odysseus slaying the suitors

After Henry Fuseli. Odysseus Slaying the Suitors. 1806. © The Trustees of the British Museum

Painting: Ulysses and Telemachus slaying the suitors
Thomas Degeorge: Ulysse et Télémaque massacrent les prétendants de Pénélope, 1812
Painting: Ulysses' revenge
Christoffer Wilhelm Eckersberg: Ulysses’ revenge on Penelope’s suitors. 1814
Painting: Odysseus kills the suitors
Bela Čikoš Sesija (1864–1931) Odysseus Kills the Suitors
Painting: The Suitors
Gustave Moreau: The Suitors (unfinished) 1852–1896

Which is your favorite image? Do you know of other representations of the scene? If you were producing an artwork, would you select a particular moment, and if so, which one? Or which details would you choose to incorporate in order to depict the essence of the whole series of actions? Share your thoughts in the Forum!

Image credits

Attic red-figure skyphos, Odysseus slays the suitors of his wife Penelope, from Tarquinia (Italy), around 440 BCE, Altes Museum Berlin
Photo Carole Raddato. Creative Commons Attribution-Share Alike 2.0 Generic license, via Wikimedia Commons

Detail from Scanned B&W Image of the same skyphos from Tarquinia (Italy), around 440 BCE, showing the whole scene.
Creative Commons CC0 1.0 Universal Public Domain Dedication, via Wikimedia Commons

Ixion Painter: Mnēstērophoníā: slaughter of the suitors by Odysseus, Telemachus and Eumaios (right). Side A from a Campanian (Capouan?) red-figure bell-krater, c. 330 BCE. Louvre.
Photo: Bibi Saint-Pol, Public domain, via Wikimedia Commons

Engraving, after: Francesco Primaticcio. 1530–1560. Ulysses and Telemachus attacking and slaying the suitors
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. © The Trustees of the British Museum

Tako Hajo Jelgersma: Ulysses killing the rest of the suitors. 1717-1795.
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. © The Trustees of the British Museum

After: Heinrich Dähling: Odysseus slaying the suitors 1801.
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. © The Trustees of the British Museum

Print made by: Ignatius Joseph van den Berghe, After: William Hamilton. Ulysses slaying the suitors of Penelope 1803.
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. © The Trustees of the British Museum

John Flaxman 1755-1826  Ulysses Killing the Suitors 1805 Purchased as part of the Oppé Collection with assistance from the National Lottery through the Heritage Lottery Fund 1996
Photo: © Tate Permitted non-commercial use under Creative Commons license.

After: Henry Fuseli. Print made by: Luigi Schiavonetti. Odysseus Slaying the Suitors. 1806.
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license. © The Trustees of the British Museum

Degeorge, Thomas: Ulysse et Télémaque massacrent les prétendants de Pénélope. 1812. Clermont-Ferrand, musée d’Art Roger
Photo: VladoubidoOo, Creative Commons Attribution-Share Alike 3.0 Unported license, via Wikimedia Commons

Christoffer Wilhelm Eckersberg: English: Ulysses’ revenge on Penelope’s suitors. 1814.
Public domain, via Wikimedia Commons

Bela Čikoš Sesija (1864-1931) Odysseus Kills the Suitors.
Public domain, via Wikimedia Commons

Gustave Moreau: The Suitors (unfinished) 1852–1896.
Public domain, via Wikimedia Commons

Images accessed March 2022.

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Sarah Scott is a member of Kosmos Society