522 BCE was the year of death of Polykrates, the tyrant of Samos, famous for having assembled a navy of hundred pentekontoroi, by that time the greatest navy of Greece. In Athens, Hippias had succeeded Peisistratos as the tyrant of Athens. In 522, Darius I gained kingship of Persia. He would create an empire comparable to the Imperium Romanum; an empire without bounds in space, focusing on people and defendable… Read more
Both Cleisthenes and Thrasybulus played important roles in the independence of Athens, and its existence as a democracy. Yet both their roles were downplayed by succeeding generations. Athens indeed spun the murder of the tyrant Hipparchus by a pair of disgruntled lovers into a fight against tyranny, but neglected Cleisthenes’ place in the true origins of the democracy. The citizens of the polis welcomed the freedom and democracy restored by… Read more
The man who at Delos set forth in the precinct of the god his own opinion composed an inscription for the forecourt of the temple of Leto in which he distinguished goodness, beauty and pleasantness as not all being properties of the same thing. His verses are: Justice is fairest, and Health is best, But to win one’s desire is the pleasantest. Theog. 255f. But for our part let us… Read more
We have been enjoying Gregory Nagy’s series of posts on Hēraklēs at Classical Inquiries[1]. The Hēraklēs myths have inspired many artworks from classical times onward: he is probably the most represented of all the ancient Greek heroes. So we have prepared two galleries with a selection. This first includes depictions of the Labors of Hēraklēs. In The Ancient Greek Hero in 24 Hours Gregory Nagy provides the background to the… Read more
There are different terms for different parts of a Greek drama, some of which modern scholars took from Aristotle and other ancient drama critics. The typical structure of an Ancient Greek tragedy is a series of alternating dialogue and choral lyric sections. (There are exceptions, and technical divisions naturally do not explain intellectual and emotional “soft power” aspects of a great Greek tragedy.) The dialogue sections are in typically speechverse,… Read more